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Photographic: The Life of Graciela Iturbide
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From School Library Journal
Gr 7 Up—Mixing original illustrations, first-person prose, and lyrical interludes with gorgeous reproductions of photographer Graciela Iturbide's work, Quintero and Peña patiently reveal their subject's many angles, producing a "kaleidoscopic unraveling" of the artist. In this presentation, time is fluid, the text moving between pivotal moments in Iturbide's career to explain reoccurring themes and concepts in her work. The graphic novel format lends itself particularly well to this nonlinear style, as Peña deftly portrays Iturbide over the course of 50 years. The illustrator incorporates much of the artist's signature motifs into the visuals, and his choice to use a black-and-white palette is another nod to Iturbide's point of view. This mesmerizing book conveys profound ideas yet also adheres to the artist's vision. (Quintero reminds readers that the use of words such as magical and surreal to describe Iturbide's work is incorrect; "her images are as real as they get.") Teens will come away with an evolved sense of how to look at a creator's life and work and how to think critically about art as a process. The importance of being seen, specifically in regard to indigenous communities in Mexico and Mexican Americans in the United States, as a narrative thread will resonate strongly with readers. VERDICT Quintero and Peña have set a new standard in artist biographies. A must for teen collections.—Della Farrell, School Library Journal
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**STARRED REVIEW** "Mixing original illustrations, first-person prose, and lyrical interludes with gorgeous reproductions of photographer Graciela Iturbide’s work, Quintero and Peña patiently reveal their subject’s many angles, producing a “kaleidoscopic unraveling” of the artists… Teens will come away with an evolved sense of how to look at a creator’s life and work and how to think critically about art as a process. The importance of being seen, specifically in regard to indigenous communities in Mexico and Mexican Americans in the United States, as a narrative thread will resonate strongly with readers. VERDICT Quintero and Peña have set a new standard in artist biographies. A must for teen collections." (School Library Journal)**STARRED REVIEW** “Striking black and white illustrations. . . . A powerful homage to the five-decade evolution of an artist still working—and still evolving—today.” (The Horn Book)**STARRED REVIEW** "Quintero and Peña’s biography of Mexican photographer Graciela Iturbide is far more than an account of her life . . . Eye-opening and masterfully rendered." (Booklist)"Quintero and Peña strike a good compromise, featuring many of Iturbide’s photographs as a complement to the biography, but without being dependent on them. The result is a book that expertly combines various aspects to become something utterly unique." (Foreword Reviews)“The graphic novel honors a provocative life by taking a provocative form." (Publishers Weekly)"From pieces such as Our Lady of the Iguanas, Juchitán, Oaxaca (1979) to Rosario and Boo Boo in Their Home, East L.A. (1986), we see Iturbide become one with her subjects, somehow transcending her role as photographer and entering into a relationship with everything her camera captures. The artwork of Penã, which depicts these interactions, seems to do the same, joining audiences to Iturbide’s experiences. . . . Recommended to anyone interested in fine art photography, particularly of Mexican and Southwestern American subjects, and for library collections with a focus on this area." (Library Journal)“I would recommend this book to pretty much anyone… There’s darkness and death; but it’s not a morbid story. It’s about learning to find who you are and be brave and true to yourself, and finding beauty in forgotten places and people.” (Bleeding Cool)"It is a rare feat when a writer and illustrator are able to capture the creative magnitude of an iconic photographer. With poetic prose by Isabel Quintero and luminary illustrations by Zeke Peña, the stunning biography Photographic: The Life of Graciela Iturbide will guide readers through a compelling visionary journey. Photographic is a worthy homage to an important and influential photographer and will stand alone as a truly creative piece of work." (Lilliam Rivera, author of The Education of Margot Sanchez)"[Graciela] Iturbide’s artistic vision and story are conveyed with poetry, a simple sophistication, and a dollop of bold swagger" (Mary McCoy, Senior Librarian, Los Angeles Public Library and Author of Camp So-and-So)"This extraordinary biography captures the poetry of Graciela Iturbide’s photography. The brilliant pairing of Isabel Quintero’s words and Zeke Peña’s art creates a graphic biography that evokes the process and meaning of what it is to create. Highly recommended!" (Cathy Camper, author of Lowriders in Space and Lowriders to the Center of the Earth)
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Product details
Age Range: 12 and up
Grade Level: 7 and up
Lexile Measure: HL690L (What's this?)
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Hardcover: 96 pages
Publisher: Harry N. Abrams (March 6, 2018)
Language: English
ISBN-10: 1947440004
ISBN-13: 978-1947440005
Product Dimensions:
7.3 x 0.5 x 9.3 inches
Shipping Weight: 15.2 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
14 customer reviews
Amazon Best Sellers Rank:
#77,025 in Books (See Top 100 in Books)
I was extremely moved by this graphic novel on the life of photographer Graciela Iturbide. The writing is poetic -- almost dreamlike -- and the illustrations are incredible (at first I was wondering why it wasn't done in color but that question is answered pretty early on). Zeke Pena is a very gifted artist, I hope to see a lot more from him. Included throughout are photographs of Iturbide's work. And the endpapers--WOW! This is a must read.
Satisfied
Excellent book. Inspiring, raw and beautiful.
Photographic is a lively and compelling celebration of the life and work of critically acclaimed Mexican photographer Graciela Iturbide. Young readers and fans of nonfiction graphic novels will devour it. I certainly did. Written by poet-novelist Isabel Quintero and illustrated by Zeke Peña, this slender graphic novel from Getty Publications tells its stories through an arresting blend of text and photocomics. Not many graphic novels attempt Photographic‘s approach—that is, placing reproductions of Iturbide’s camerawork alongside Peña’s pen-and-ink drawings. Then again, Photographic is no routine examination of an artist’s life. Guided by Quintero’s lyrical narrative, it also offers a powerful and disarming time capsule of Mexico’s cultural and social glories, as encountered by Iturbide during her photographic journey.Photographic‘s pictorial narrative crisscrosses decades, allowing readers to peer through Iturbide’s lens as she traverses the geographic spine of Mexico, ventures across the border into Latinx communities in the United States, and on to international settings. The story flows from present-day views of Iturbide to flashes of her youth, when her father buys her a Brownie camera. It resumes in young womanhood, as she studies under photography master Manuel Ãlvarez Bravo. From there, we witness the continuing evolution of the artist as she undertakes a series of photographic projects.Iturbide possesses a selective eye, one that ennobles the disregarded and humble. This is most evident in her deeply humanizing portraits of people found along the margins of society. Such subjects include young men in Tijuana whose tattooed bodies read like a codex, as well as Juchitán’s “muxes, who are both men and women at the same time,†as Quintero explains in the text.Iturbide’s range of subjects is wide. She occasionally photographs mammals and reptiles, but birds dominate this area of interest. In her photos, they appear singly and in flocks, on perches and in flight, as living creatures and as dusty, feathered bodies. Echoing this passion, Quintero skillfully adopts avian motifs to express some of the most elusive aspects of Iturbide’s photographic instinct.Each time I look through the viewfinder I see myself…I use my bird sight to see the fragments. The camera as mirror as bird eye.And I with eyes to fly.Always midflight.I look to the skies.Birds like shifting stars and all of them speaking to one another—telling different stories. Wings spread and reverberate until silence.Although Iturbide resists being labeled magical or surrealist, her art unquestionably plays along the edges of reality. Even when photographing everyday objects, the images she captures teem with mystery and questions. A notable example is her work at Casa Azul, the house of Frida Kahlo and Diego Rivera. There, in the bathroom, which was sealed after Kahlo’s death for fifty years, Iturbide’s camera brings our attention to porcelain fixtures, detached leg braces and corsets. Although composed of ordinary objects, these tableaus wordlessly communicate Kahlo’s physical suffering and bring into sharper relief the triumph of her immense contributions.Iturbide’s portraits of uncelebrated women are among her greatest achievements. In one striking photograph, four young women from East Los Angeles pose in front of a mural devoted to Mexican revolutionary and political figures Zapata, Juárez, and Pancho Villa. In their defiant expressions and unapologetic stances, these women testify to the subversive spirit that lives on in their community. Even more startling is Iturbide’s documentation of Juchitán, a city in Oaxaca whose inhabitants are chiefly Zapotec, and where for generations, women have called the shots. “In Juchitán, women drive commerce, and men ask for an allowance.†Out of this matriarchal setting comes one of Iturbide’s most unforgettable photographs, a portrait of a market vendor wearing a crown of live iguanas. Zobeida, as she is identified, is rendered mythical, regal, an image for the ages, La Medusa Juchiteca. Yet Zobeida is a flesh-and-blood woman, making a living selling her wares and not anyone seeking immortality as a goddess. Iturbide’s camera lens frames these dual realities. She has learned how to see what many others miss— a reflex she cannot help but exercise in one after another iconic photograph.And now, Photographic has brought Iturbide’s empathetic, ennobling, and powerful art to young readers and fans of the graphic novel. It’s no small order to synthesize a lifetime of artistic growth and achievement, but this book delivers, thanks to the wonderful collaborative work of Isabel Quintero and Zeke Peña, who are impressive artists in their own right, with rich futures in their respective fields.
A graphic novel biography of an innovative photographer best known for her photos of Mexican communities.The text in this reads like poetry. It’s a lyrical explanation for how Iturbide sees the world and what motivates her. It’s a poetic explanation of the various cultures and places she’s photographed and how they’ve influenced the way she sees the world (and how she hopes she’s influenced the world to see these cultures). It’s actually pretty deep for a nonfiction book. I can see literature classes having a great time analyzing this text and teasing out its literary devices. For that reason, this is a graphic novel best appreciated by those mature enough to follow and parse the text and understand the significance of Iturbide’s photographs. I can see less mature readers getting lost in the complexity. (There’s also frequent phrases in Spanish so the reader either needs the ability to read Spanish, use context clues to figure out the meaning, or have the patience to frequently pull out a translation app.) The illustrations are all in black and white in honor of Iturbide’s preference to work in only black and white photographs. Some of her actual photographs are included and many of the illustrations replicate or give nods to other photographs. A fascinating read. Recommended to literature classes, those interested in Mexican cultural studies, art classes, and photographers.Notes on content: No language issues. No sexual content or decency issues. (Though erotic art is mentioned at one time, but not explained at all and not shown.) Slaughtering goats is photographed with some illustrations of the killing, some description of the blood in the text, and two actual photos that aren’t bloody.I received an ARC of this title from the publisher through NetGalley in exchange for an honest review.
How have I made it through fifty-five years of life and never discovered the mind blowing photographic work of artist Graciela Iturbide?She is at least an equal to more well known photographers, such as Cartier-Bresson or Brassai, with whom she shares a seemingly supernatural ability to candidly capture the dream-like in the everyday and the ordinary. She is certainly an equal to more widely celebrated Mexican artists like Diego Rivera and Frida Kahlo in her ability to evoke the myth-poetic past and present of her nation and her people.I suspect that I am not alone though in my ignorance, and that is were the team of Isabel Quintero and Zeke Pena so ably step in. Quintero's poetic writing provides a strong yet ephemeral narrative voice that perfectly partners with the figurative images of Iturbide. Pena's competent black and white drawings aptly channel the straight forward and unembellished work of Iturbide with reverence. I also appreciated the dedication that Quintero and Pena display in making hispanic life more visible and in encouraging the artistic promise of young people.While readers who already know Iturbide's life and work well might wish for more, "Photographic" offers a beautiful and inspiring introduction to her visionary approach to seeing the world for teens and adults alike.
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September 19, 2018
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