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Classic Railroad Advertising: Riding the Rails Again, by Tad Burness

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Product details

Hardcover: 224 pages

Publisher: Krause Pubns Inc (August 1, 2001)

Language: English

ISBN-10: 0873492749

ISBN-13: 978-0873492744

Product Dimensions:

8.2 x 0.8 x 10.8 inches

Shipping Weight: 2.5 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#1,278,619 in Books (See Top 100 in Books)

What a beautiful book! Hardcover and full of the most deliciuous information. Mr. Burness has compiled, from his own collection of original railroad advertising a real time travel to explain us in the words of the railroads themselves (and some related industries-even Lionel), the evolution, successes and problems of American rail industry. The ads are sorted in alphabetical order by company name. From the 20's and 30's going through that heroic period of WW II and the postwar years and coming to Amtrak, you will witness the introduction of dome cars, the new trains like the California Zephyr, new technical achivements and so on. Reading this book you will feel the fallen flags so alive that is difficult to realize that most of them disappeared 30 or 40 years ago.And it is not only the trains. Reading these ads you will be back in time in the United States of yesterday. The problems, the people and their fashions, etc. You will really enjoy this book.

An interesting book of over two hundred passenger train ads that appeared in mass-market magazines. Each one fills a page with an informative caption. None of them would have won any design awards, mostly they follow the predictable format of illustration, headline, text and small pictures and as these are train ads, the little route map.However, within this predictable (and sucessful) format you will see some great artwork, page 17 shows a 1945 American Locomotives ad with a stunning painting of a railroad yard with five streamliners, pages 52-53 has two Leslie Ragan paintings for the Budd Company. The Shell ad on page 186 looks like it was straight out of something painted by Bruce McCall (it wasn't) and there are thirteen pages of great New York Central ads that all feature cut-away illustrations.As well as great art don't forget the copy. I'm pleased to see included the New Haven RR's 'The Kid In Upper 4' one of the most famous ads of the war years, read it and appreciate copywriting at its creative best. I never knew what the term 'highball' meant until I read the copy in the Pennsylvania RR ad on page 169-169.I would have given this book five stars but like so many pictorial books the publishers have not taken the presentation seriously enough. Here the none of the ads have a definable edge, they just float in the white space on each page, easily solved by running a very thin black line round the ads original size or better still use a grey vignette drop shadow behind them. The typography of the title, contents, index pages etc is very bland and unimaginative. There are five ads that run across spreads but they don't, each has a thick white margin either side of the middle of the book, doing this is as bad as not correcting typos.If you like railroad advertisments have a look at 'All-American Ads 40's' by Jim Heimann, a massive 764 page book that has (in color) thirty five of them in the chapter on travel.

As a model railroader I found the color and style shown in this book gave an idea of the sort of period feel I want to recreate. My railroad, based on the S.P. is meant to generate an idealization of the time and place, not a slavish adherence to prototypical realism. This book has given my some great modeling ideas. I highly recommend it.

This is a brand new, 2001 hardback 224 page library volume that will please every railroad and advertising fan. It features 224 pages with 212 outstanding color photos of train ads of every description. The photos look as good or better than the originals. This covers the period of 1920s through the 1950s. There is an emphasis on how the passengers in the postwar period enjoyed the delight of train travel. Plenlty of interesting text is provided. A delightful work.

This is a fascinating book for those interested in the transition era of railroading and the advertising that was created in this era. The book is a collection of nearly 200 classic print advertisment that appeared in magazines during the 1940's, 50's and 60's. The ads range from railroad specific ads, with extensive coverage of the Union Pacific, Pennsylvania, New York Central and Great Northern railroads. Most other major railroads are represented with some pages in the book. In addition to railraod specific ads, this book has lots of ads from the manaufacturers of railroad equipmemt, including EMD and Pullman, along with others.If you are interested in railroad art, or are interested in the transition era of the railroads, this is a book for you. This book is a quality publication and the reproduction effort is quite good. This book is a welcome part of my library and covers a neglected area of railroad history.

An interesting book for the nostalgia contained. If you are over 50, you can remember the trains and the ad.

The book is an excellent overview of railroad advertising illustrations. I would have liked some more on the artists and ad agencies, but the artwork is great.

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Download Ebook The Master of Disguise: My Secret Life in the CIA, by Antonio J. Mendez

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Review

"A rare and unique glimpse into the CIA's Office of Technical Services, and, in particular, into the secret work undertaken to supportclandestine operations. A thoroughly absorbing read for both the aficionado and the layman." -- Nigel West

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About the Author

Tony Mendez is a retired CIA officer who worked undercover for 25 years, participating in some of the most important operations of the Cold War. He earned the CIA's Intelligence Medal of Merit and was chosen as one of 50 officers to be awarded the Trailblazer Medallion. He is an award-winning painter and the author of The Master of Disguise and Spy Dust, which he co-wrote with his wife Jonna Mendez, also a retired intelligence officer. His most recent book is Argo, which tells the story of the operation he ran to rescue six Americans hiding in the Canadian Embassy in Tehran during the hostage crisis. The operation inspired the Warner Brothers feature film of the same name. Mendez currently lives and works in his studios and gallery on his farm in Maryland with his wife.

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Product details

Paperback: 376 pages

Publisher: William Morrow Paperbacks; Reprint edition (November 7, 2000)

Language: English

ISBN-10: 0060957913

ISBN-13: 978-0060957919

Product Dimensions:

5.8 x 0.9 x 8.9 inches

Shipping Weight: 13.6 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

469 customer reviews

Amazon Best Sellers Rank:

#54,195 in Books (See Top 100 in Books)

Having lived through the cold-war years, I was truly impressed with this book while reading it ln its Kindle version. Although the movie Argo is well-known, it is only a small part of this author’s story. What was most interesting to me were the years this painter-turned spy spent behind the iron curtain under disguise. Entering into the secret service because of his artistic ability, Tony Mendez became a copier of documents first, then expanded his horizons into disguise to help with surveillance and counter-surveillance. The book also discusses the stories of the turncoats in the service and those defectors from the other side who lost big.Some of the things the author talked about in the book made me think that maybe I shouldn’t be knowing or reading these things as they might have something to do with the welfare of my country, but the author clarified this concern by saying that his book was checked out by those who knew these things and what he relates to the general public is already known by the other side. In any case, now that he is retired from the service, the author has turned to painting again in his home in Knoxville.The writing is clear and easily understandable, and I found the entire story stunning.The bottom line is, I was amazed by the incredible courage the people in the CIA and other such services have shown and possibly still are continuing to show. If it did nothing, this book has been good for making us aware of that purpose.

This is a fascinating story about how the CIA works and the courage and dedication and tremendous resourcefulness and intelligence it takes to be a successful agent told by one of the best, Antonio Mendez. One of my favorite genres is the spy thriller and I have read well over a hundred of the novels written since World War II. I have so much respect and admiration for Agent Mendez who spent tens of thousands of hours learning the tradecraft of the CIA, adding to it his own specialty of costume disguise and the use of makeup learned from Hollywood. This extremely effective new tradecraft saved many lives whether agents or kidnapped citizens, such as the 6 American diplomats who were Iranian hostages. These 6 diplomats were given completely new identities and fortunately left Iran safely. Tony Mendez was one of the very best who created an important tradecraft and used it to rescue many of our own agents as well as facilitating defections of foreign agents who were trying to defect to the US. The extreme concentration and dedication and intelligence needed to learn many forms of tradecraft is just stunning. And the incredible courage needed to be an agent when the slightest error can mean death or unspeakable torture for the agents and victims involved is just so admirable.

This is the autobiography of Antonio Mendez, the CIA officer behind the exfiltration of six Americans during the Iran hostage crisis in the 1970s. This operation was the basis of the movie Argo. Mendez describes his childhood, his early training as a graphic designer, and much of his career in the Central Intelligence Agency creating forged documents and disguises.The author describes CIA operations in locations around the world, including Indochina, the Middle East, and the then-intact Soviet Union. Three themes emerge from these accounts. One is the trust developed among CIA officers who spend much of their time deceiving others. It helps explain the anger and disgust they feel for moles, traitors and double agents. The second theme is an increasing sophistication in the technology used to create documents and disguises. Disguises remain challenging since they must be good enough to alter appearance but simple enough for agents to don quickly with little training. The final theme explores internal CIA politics. We hear about jealousies between wage-grade and white collar employees, jostling for overseas assignments, and the "pinball game" of gaining support for new initiatives.Each chapter is seasoned with tidbits of tradecraft and hard-won experience. Advice ranges from general strategies like "keep your options open" to more specific techniques like how to use the two-handed "forgers bridge" to do precision drawing. Some procedures seem obvious once you read about them, but were useful again and again in the field. For example, shipping containers equipped with automatic cameras sent through Warsaw Pact countries yielded volumes of information about routes, customs procedures, and security personnel. Buildings, vehicles and people were inspected repeatedly, but nobody thought to check the containers.Equally fascinating is the information the book does not present. Most CIA officers and agents are referred to only by code names or aliases. Times and locations are reported only generally. Readers also become conscious of a trend as the narrative proceeds. Details of all kinds are increasingly reduced, altered, or glossed over to protect techniques still in use and officers still on active duty. What we learn about spycraft becomes all the more impressive as we realize it must be out of date or we would not be reading about it.The book is an enjoyable read and teaches lessons about careful work as well as innovation under pressure. It is worth reading on its own merits, but will be especially intriguing to those who are familiar with the Argo movie.

Tony Mendez was a struggling graphic artist when he applied for a job at the CIA. At first, he reproduced passports and all sorts of official documents, but eventually ended up supplying spies with costumes and prosthetic makeup disguises straight out of Hollywood. Mendez was the mastermind of the operation to free American Embassy personnel trapped in Iran as seen in the movie ARGO. This book was a fascinating look behind the scenes of the CIA in the 60s through 80s, a world of dead drops, micro dots, double agents, secret codes, fake passports, etc.

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Download PDF Creating Exhibitions: Collaboration in the Planning, Development, and Design of Innovative Experiences

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Creating Exhibitions: Collaboration in the Planning, Development, and Design of Innovative Experiences

Download PDF Creating Exhibitions: Collaboration in the Planning, Development, and Design of Innovative Experiences

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From the Back Cover

"A rich and detailed description of the team approach to creating museum exhibitions. Janet Kamien and Polly McKenna-Cress were pioneers in developing this successful approach, and their experience, wisdom, and humor shine through on every page. A must-read for anyone involved in museum exhibitions." —Kathleen McLean, Principal, Independent Exhibitions "This book is like having a personal mentor by your side during every step of the exhibition process. The authors have written a book that is concise, insightful, practical, and friendly—just what you need during a complex and often tense process." —Elaine Heumann Gurian, Senior Consultant, The Museum Group Exhibition design involves numerous disciplines, variable physical and intellectual content, and the goal of enabling visitors to understand and enjoy complex topics more completely. It is a necessarily collaborative and multilayered process. Creating Exhibitions is the first guide of its kind: a one-stop resource that integrates the design process with content development to deliver a comprehensive program for conceiving, designing, and installing exhibitions. Structured around the key phases of the exhibition creation process, this team-oriented guide covers the entire project duration and offers problem-solving techniques supported by useful examples of how each solution was strategically applied. It offers this critical information in the context of a collaborative design process, speaks to a broad range of stakeholders in any exhibition project, and encourages innovation in every aspect of planning, development, and design. Both comprehensive and closely detailed, this one-stop manual: Delivers in-depth coverage of current thinking and research in exhibition design along with case studies that illustrate how the process was applied Includes exercises and experiments that provide hands-on experience with different concepts and approaches Features contributions from leading exhibition and museum professionals from all levels, offering multiple points of view for achieving collaboration and innovation Creating Exhibitions is an indispensable resource for professionals and students in architecture, graphic design, environmental graphic design, industrial design, digital media, lighting and theater, interior design, and landscape architecture. It is a valuable tool for anyone who wants to become not just a practitioner, but also an innovator in this fascinating and rewarding field.

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About the Author

Polly McKenna-Cress is Department Chair and Program Director of Museum Exhibition Planning & Design at the University of the Arts, as well as Principal of Alusiv, Inc., a design firm in Philadelphia. She is a consultant, author, and educator who leads institutions, departments, and teams in master planning, development, design, and project management of exhibitions. Over her 25+ year career in both museums and design firms, she has led the creation of more than 60 exhibitions of varying sizes, budgets, and complexities. Janet A. Kamien was an executive consultant, author, and strategic planner. In her 40+ years in the museum field she worked on staff at four major museums and also worked as an independent consultant. She worked, consulted, and advised on more than 100 different interpretive projects and strategic master plans.

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Product details

Paperback: 320 pages

Publisher: Wiley; 1 edition (October 7, 2013)

Language: English

ISBN-10: 1118306341

ISBN-13: 978-1118306345

Product Dimensions:

7.6 x 0.7 x 9.1 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

29 customer reviews

Amazon Best Sellers Rank:

#152,774 in Books (See Top 100 in Books)

The authors, with dozens of years of experience as both exhibition makers and teachers, share the complexity of the exhibition creation process with as much clarity as possible. The challenge is that there is no stereotypical approach to making exhibitions, and therefore the book has to incorporate many different perspectives and approaches. Imagine a conversation among bunuel, hitchcock, spielberg, ron howard, and david lean, their processes, styles, priorities, and creative approaches are all over the map. Like film making, creating exhibitions is a complex creative team-based endeavor. The book is best suited for someone who aspires to be part of, and lead, exhibition teams in museums (particularly science and history museums, or more audience-centric art museums). It is like being a fly on the wall of a conversation among the most experienced and creative professionals in the field. The reader may not come out with a systematic "how-to" schematic, but s/he will have a vocabulary for dealing with the myriad complexities of the process and it will be a useful reference for dealing with these complexities as they arise.It is a must have resource in the relatively small library of authoritative exhibition books for anyone who wants to deepen their skill and expand their vocabulary of strategies in creating exhibitions.

To be sure, given that Polly is my daughter, what I have to say is subject to a discount factor. Having said that, however, I offer - as objectively as I can - the following: she has taught me more about the skillful persuasion needed to bring together good minded, but stubborn, intellects who, all with good intent, find themselves incapable of seeing another's possibly opposing view. Having spent 50 plus years in the Law (trial lawyer, judge, arbitrator, mediator, etc) I thought I knew most all needed to bring about a just result, but Polly has now taught me the finesse, the savoir-faire, which I may have been seeking. Her book is a MUST READ for those in the expanded world of academia, especially the practitioners of museum exhibitions, who seek the glue necessary to adjust to opposing views in order to reach a common goal.

This book takes a thorough look at creating exhibitions. It serves as both instruction and as a reminder of why we do the things we do (visitor testing, formulate goals, etc.). I see myself referring to and rereading this book for years to come. Beyond just being applicable for those in the Museum Field, I feel the content provided will have broader impacts. (A friend and Urban Planner is currently using it to help her plan and structure community forums and meetings.)Beyond actual content, I really appreciated how the book didn't just advocate a collaborative approach to creating exhibitions that account for many voices. The book is actually structured in the same way: a range of museum professionals act as guest writers and provide personal insight on topics.

This book puts on paper what many of us have learned the hard way. The authors recognize that creating exhibits like most creative endeavors takes place in a real world of budgets, schedules and competing expectations. Creativity by committee is not an oxymoron. It is the way most of us have to work. This book shows us the way to do it well.

Helpful information for those interested in museum studies.

Although I have not yet read the whole book, I like the way the chapters flow and the many essays from people in different disciplines. We read how these people put the authors' ideas into practice. Also the graphics imaginatively and concretely help get the authors' points across. I especially liked the essay which was titled " An Art Historian's Perspective." If you are interested in attending or creating exhibitions, you will greatly enjoy this book. You can see that the authors' took their own advice, when they collaborated on this book.

This is a highly readable, extremely helpful book for novices and pros alike. Written in an engagingly conversational manner, this book will shortly become the standard handbook for museum professionals.

Great answered all my questions!Now I've got to get my dream job in a Museum!Any offers I'm ready!

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Product details

Age Range: 4 - 8 years

Grade Level: Preschool - 3

Series: Official Whitman Coin Folder

Board book: 3 pages

Publisher: Whitman (September 1, 1988)

Language: English

ISBN-10: 9780307090416

ISBN-13: 978-0307090416

ASIN: 0307090418

Product Dimensions:

6 x 0.2 x 7.8 inches

Shipping Weight: 1.6 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

55 customer reviews

Amazon Best Sellers Rank:

#41,848 in Books (See Top 100 in Books)

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File Size: 4925 KB

Print Length: 376 pages

Publisher: University of California Press; 1 edition (July 6, 1998)

Publication Date: July 6, 1998

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B003QHYLAO

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Everyone who works politically only to ban abortion by law because of the laudable moral intent of viewing all life as sacred should read this book.The Ceaucescu government of Romania, because of Catholicism, banned abortion completely.I guess the dictator went to bed with a clear conscience every night, which probably was enough for him.The results - those orphanage filled with toddlers untouched, untaught, and unnurtured, standing in cribs with their arms out every time a non-profit person trying to help entered the room; young women with ruined reproductive systems because in desperation they sought to end a pregnancy but found none but butchers to end their situation, which might have included being killed by their families for honor (they will never be mothers when they want to be, as a result) - and a culture in which everyone lied about everything out of fear and need to cover-up the most private shame - were morally disastrous.Abortion is not the only drama. Saving the planet and caring for one another, even to the point of sacrificing some of our own "pure" conscience, and comfortable lifestyles, is what true morality requires of us if we dare respond with love. This book was brought to my attention by my son who read it as an undergraduate at Brown University. It's a bit of a slog. But a necessary one. The "abortion wars" in the US have bee manipulated by a cruel oligarchy who thinks nothing of letting living people die if they can't afford health care, or of turning our children into cannon fodder for wars by which they, not people here or abroad, profit.

This book speaks of the heartaches of scores of women due to a misguided 1966 Decree that was meant to create a new generation of socialists by removing birth control from the options available to the people. Although this is a book about women and their special struggles, as a man I found it interesting. My wife is Romanian and can corroborate many of the stories of these women to be true (or at least reasonable). But I'm also grateful that Gail Kligman didn't dwell on the sensationalism that the popular Western press loved to print following the Decree. In fact, she denies much of the fanciful stuff written to sell newspapers. There weren't masses of perverted bosses standing there watching gynecological exams. But the author does stress the heart-wrenching, personal stories of women who were forced to deal with this foolish Decree 770, many times to the detriment of their health or life.

Although the history that Kligman is writing about is horrific, this is an excellent resource for those involved in the global struggle for women's reproductive justice. This is the best book I have found that explains the shocking unintended consequences when a government bans all contraception and forces women to become baby factories. The resulting appalling conditions for the citizenry and the social fabric of a nation are well described and should be a lesson to natalists around the world who interfere with women's' intimate decisions. Buy this book, read it and share it.

I'm an American woman living and working in Romania, and I have to disagree with Alexandru. From all I hear from my friends both male and female, this book isn't off-target at all. It IS true that many people say Ceasescu's policies didn't affect their lives "all that much", but the people who did have unwanted pregnancies or were harassed because they didn't have enough children were and are real people. I enjoyed this book and would recommend it to anyone interested in reproductive issues -- in either Romania or the U.S.

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File Size: 4124 KB

Print Length: 162 pages

Simultaneous Device Usage: Unlimited

Publication Date: March 31, 2019

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Language: English

ASIN: B07NSG2QZT

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Michael Friessen turned 21 and celebrated by going to Vegas with some hockey teammates, getting black-out drunk, and marrying a woman he never met before! Yikes! To make things worse, she may be a hooker? That’s not all that makes it a huge problem! His parents, Neil and Candy, are surprised to say the least. Neil, being a man who loves to solve problems for his family, has some ideas on what Michael should do.Another great read from Ms. Eckhart, as this is an unusual romance, with characterizations that are top notch! Michael is a typical Friessen male and his new wife has a complex backstory. She, Angie Debois, has issues. The ending is surprising, but abrupt. I hope we read more about these two in the future. It’s not a cliffhanger, but we are left with questions. An entertaining read, though!I was given an ARC of this book in exchange for an honest review. I also bought the book for my elibrary.

Lorrhaine Eckhart is a great author, she proofed it with her 21st book about the Friessens. While I loved this story, it was just too short, the ending rushed. But the little Novella at the end kind of appeased me..

What an enjoyable read! Michael and Angie’s story has become another top favorite of mine in this series. This was such a heartfelt story filled with many twist and turns that really kept me glued to their story. The book description gives one a good idea of what the story is about. Michael got plastered celebrating his 21st birthday to the point of not remembering anything after a certain point. The next morning he found a beautiful blond in his bed and she told him that she was his wife. We learn a lot about Angie, her background, how people wrongly misjudged her, etc.. I admired Michael, who near the end, became mature about the whole situation. This is well worth reading and I HIGHLY RECOMMEND IT.

Michael wakes up in Vegas after his birthday celebration to find out he is married and doesn’t remember anything that happened. Angie is a school teacher who is down on her luck because her landlord keeps raising her rent to the point she is selling everything she has and going hungry. She hangs out at the bars for free food and maybe a guy who will buy her dinner. His father gets involved doing background checks and wants to get the marriage annulled ASAP. The hockey scouts are out and he is up to get picked to go professional and a scandal will prove to be very undesirable. Well written and packs a punch for a short. Enjoyable read.I voluntarily read and reviewed an advanced reader copy of this book

I love the Friessens! If you enjoy family sagas then you must read this series. This book is about Michael who is 3rd generation. We didn't get a lot on the 1st gen. but did on the 2nd. Now we're on to the 3rd and they are just as entertaining and complex as their parents. Michael turns 21 and spends his birthday in Vegas with his buddies. After a long night of drinking Michael wakes up in a hotel with a woman in his bed and a ring on his finger. OOPS! You'll have to read the book to find out what happens but you won't be disappointed. Ms. Eckhart does a great job telling the Friessens stories.I received a free copy of this book and voluntarily chose to review it.

I got this book as an ARC reader, for My honest review. I Love this book. I Love reader about the kids. This book was about Michael. He and his friends went to Vegas, for his 21th Birthday. He got drunk and gotten married. I read books about getting drunk in Vegas, and getting married. But, this book is different, and to me set it off from the others. Because, when I read her books, they are real people and to me it seen different, it seems real, like it happens in real life. because when you read this series, you will fall in Love with them. And you will get to know what kind of family they are. And as you read each one you will get to know what kind of family they are. I hope you know what I mean . But, this series is one of a kind. You got to read this book and the series. You will fall in Love with this family. You did it again. Every book gets better and better. Keep up the good work. I can't wait until the next book come out. I Love this book and SERIES so much I have to buy each book. And I can't afford to buy books. So, next month, I will be buying this book, simehow.

What happens when Michael Friessen wakes up after celebrating his 21st birthday to find himself married to someone he doesn’t know or remember? Well, his father Neil steps in to handle it for him as he always has, but this is Michael’s mess, and he’s determined to fix it himself. He just needs to understand how this could have happened and just who his wife really is.Michael and Angie’s story has a few twists and turns and ups and downs. Angie’s life has not been easy, and things are only getting more complicated. Just as Michael’s hockey career is taking off, everything in Angie’s life is falling apart and colliding with Michael’s future. They may be married, but they’re strangers who have a tenuous connection to each other.This is an engaging and entertaining romance and a fast-paced story which will keep your interest from beginning to end. The ending is a bit abrupt, and I would have liked to have a little more of their story, but this is a very enjoyable read and another delightful addition to this wonderful series.

Sadly Michael Friessen, like the rest of the family, never likes to do things the easy way. Instead he wakes up after a long night of drinking to discover he's married, and has no idea who his wife is. All of this comes just as his dreams of making a career in the NHL are about to come true. Will a night of drunken revelry ruin his future or will it change two lives for the better?While this is part of the Friessen family saga, it can definitely be read as a stand alone novel. Although having read the other books, I did enjoy seeing Michael coming into his own and standing up to his father, Neil. Plus having another strong woman in the series who is not afraid to stand up for herself was a definite plus. I certainly hope that this is not the last we will be seeing of the latest Friessen couple!

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