Oktober 18, 2012
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Download Ebook The Master of Disguise: My Secret Life in the CIA, by Antonio J. Mendez
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The Master of Disguise: My Secret Life in the CIA, by Antonio J. Mendez
Download Ebook The Master of Disguise: My Secret Life in the CIA, by Antonio J. Mendez
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Review
"A rare and unique glimpse into the CIA's Office of Technical Services, and, in particular, into the secret work undertaken to supportclandestine operations. A thoroughly absorbing read for both the aficionado and the layman." -- Nigel West
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About the Author
Tony Mendez is a retired CIA officer who worked undercover for 25 years, participating in some of the most important operations of the Cold War. He earned the CIA's Intelligence Medal of Merit and was chosen as one of 50 officers to be awarded the Trailblazer Medallion. He is an award-winning painter and the author of The Master of Disguise and Spy Dust, which he co-wrote with his wife Jonna Mendez, also a retired intelligence officer. His most recent book is Argo, which tells the story of the operation he ran to rescue six Americans hiding in the Canadian Embassy in Tehran during the hostage crisis. The operation inspired the Warner Brothers feature film of the same name. Mendez currently lives and works in his studios and gallery on his farm in Maryland with his wife.
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Product details
Paperback: 376 pages
Publisher: William Morrow Paperbacks; Reprint edition (November 7, 2000)
Language: English
ISBN-10: 0060957913
ISBN-13: 978-0060957919
Product Dimensions:
5.8 x 0.9 x 8.9 inches
Shipping Weight: 13.6 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
469 customer reviews
Amazon Best Sellers Rank:
#54,195 in Books (See Top 100 in Books)
Having lived through the cold-war years, I was truly impressed with this book while reading it ln its Kindle version. Although the movie Argo is well-known, it is only a small part of this author’s story. What was most interesting to me were the years this painter-turned spy spent behind the iron curtain under disguise. Entering into the secret service because of his artistic ability, Tony Mendez became a copier of documents first, then expanded his horizons into disguise to help with surveillance and counter-surveillance. The book also discusses the stories of the turncoats in the service and those defectors from the other side who lost big.Some of the things the author talked about in the book made me think that maybe I shouldn’t be knowing or reading these things as they might have something to do with the welfare of my country, but the author clarified this concern by saying that his book was checked out by those who knew these things and what he relates to the general public is already known by the other side. In any case, now that he is retired from the service, the author has turned to painting again in his home in Knoxville.The writing is clear and easily understandable, and I found the entire story stunning.The bottom line is, I was amazed by the incredible courage the people in the CIA and other such services have shown and possibly still are continuing to show. If it did nothing, this book has been good for making us aware of that purpose.
This is a fascinating story about how the CIA works and the courage and dedication and tremendous resourcefulness and intelligence it takes to be a successful agent told by one of the best, Antonio Mendez. One of my favorite genres is the spy thriller and I have read well over a hundred of the novels written since World War II. I have so much respect and admiration for Agent Mendez who spent tens of thousands of hours learning the tradecraft of the CIA, adding to it his own specialty of costume disguise and the use of makeup learned from Hollywood. This extremely effective new tradecraft saved many lives whether agents or kidnapped citizens, such as the 6 American diplomats who were Iranian hostages. These 6 diplomats were given completely new identities and fortunately left Iran safely. Tony Mendez was one of the very best who created an important tradecraft and used it to rescue many of our own agents as well as facilitating defections of foreign agents who were trying to defect to the US. The extreme concentration and dedication and intelligence needed to learn many forms of tradecraft is just stunning. And the incredible courage needed to be an agent when the slightest error can mean death or unspeakable torture for the agents and victims involved is just so admirable.
This is the autobiography of Antonio Mendez, the CIA officer behind the exfiltration of six Americans during the Iran hostage crisis in the 1970s. This operation was the basis of the movie Argo. Mendez describes his childhood, his early training as a graphic designer, and much of his career in the Central Intelligence Agency creating forged documents and disguises.The author describes CIA operations in locations around the world, including Indochina, the Middle East, and the then-intact Soviet Union. Three themes emerge from these accounts. One is the trust developed among CIA officers who spend much of their time deceiving others. It helps explain the anger and disgust they feel for moles, traitors and double agents. The second theme is an increasing sophistication in the technology used to create documents and disguises. Disguises remain challenging since they must be good enough to alter appearance but simple enough for agents to don quickly with little training. The final theme explores internal CIA politics. We hear about jealousies between wage-grade and white collar employees, jostling for overseas assignments, and the "pinball game" of gaining support for new initiatives.Each chapter is seasoned with tidbits of tradecraft and hard-won experience. Advice ranges from general strategies like "keep your options open" to more specific techniques like how to use the two-handed "forgers bridge" to do precision drawing. Some procedures seem obvious once you read about them, but were useful again and again in the field. For example, shipping containers equipped with automatic cameras sent through Warsaw Pact countries yielded volumes of information about routes, customs procedures, and security personnel. Buildings, vehicles and people were inspected repeatedly, but nobody thought to check the containers.Equally fascinating is the information the book does not present. Most CIA officers and agents are referred to only by code names or aliases. Times and locations are reported only generally. Readers also become conscious of a trend as the narrative proceeds. Details of all kinds are increasingly reduced, altered, or glossed over to protect techniques still in use and officers still on active duty. What we learn about spycraft becomes all the more impressive as we realize it must be out of date or we would not be reading about it.The book is an enjoyable read and teaches lessons about careful work as well as innovation under pressure. It is worth reading on its own merits, but will be especially intriguing to those who are familiar with the Argo movie.
Tony Mendez was a struggling graphic artist when he applied for a job at the CIA. At first, he reproduced passports and all sorts of official documents, but eventually ended up supplying spies with costumes and prosthetic makeup disguises straight out of Hollywood. Mendez was the mastermind of the operation to free American Embassy personnel trapped in Iran as seen in the movie ARGO. This book was a fascinating look behind the scenes of the CIA in the 60s through 80s, a world of dead drops, micro dots, double agents, secret codes, fake passports, etc.
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