Free PDF Everything Lost Is Found Again: Four Seasons in Lesotho

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Everything Lost Is Found Again: Four Seasons in Lesotho

Free PDF Everything Lost Is Found Again: Four Seasons in Lesotho

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“I was brought into a world I did not know existed and grew to care about two people I’ve never met. The author’s compassion and wit, his eye for a telling detail and his ear for dialogue―all of it comes together as a pitch-perfect rendering of these two humans in letters on a page.”-Mary Roach, author of Grunt: The Curious Science of Humans at War"Part reflection, part travel log, and an all-over love song to Lesotho, EVERYTHING LOST IS FOUND AGAIN is a beautiful story that will have readers longing to travel to foreign lands. As an outsider, Will McGrath sees both the oddities and the commonality of people. With a compassionate writing style that never condescends , he shares his experiences of both tragedy and joy as he ventures into his host land. Wrapped in the golden glow of a warm heart, McGrath has crafted a story that can proudly sit along side the works of Bill Bryson and Alexander McCall Smith."-Pamela Klinger-Horn, Excelsior Bay Books"With astute sensitivity, a reporter's eye, and a poet's command of language, McGrath introduces us to so much more than a place. He situates us inside the small quiet moments of grace that define everyday lives. The writing is at once joyous and devastating, luminous and tender." -Inara Verzemnieks, Pulitzer Prize finalist and author of Among the Living and the Dead"Who says there are no places left on earth to explore? In this charming memoir, Will McGrath traverses one of the world's least-known countries - Lesotho, tiny and mountainous, grappling with AIDS but rich with storybook history and its own invincible spirit. Everything Lost Is Found Again is beautifully written, by turns moving and hilarious. It's an enlightening adventure in the tradition of Patrick Leigh Fermor and V.S. Naipaul." -Tony Perottet, author of Off the Deep End: Travels in Forgotten Frontiers“In dazzling prose and with humor both tender and sidesplitting, McGrath pulls off what I most adore about foreign reportage: he makes me care deeply about a place I’ve never been and wish desperately that I, too, could visit the nation and share his experiences.”―Rafe Bartholomew, former Grantland senior editor and author of Pacific Rims

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About the Author

Will McGrath has worked as a reporter, homeless shelter caseworker, public radio producer, UPS truck loader, Burger King mayo-applicator, ghostwriter, and ghosteditor, in slightly different order. He spent twenty months living in the southern African kingdom of Lesotho―the subject of his forthcoming book, Everything Lost is Found Again (Dzanc Books), which won the Disquiet Open Borders Book Prize in 2017. He has written for The Atlantic, Pacific Standard, Foreign Affairs, Guernica, and Roads & Kingdoms, among other magazines and journals. His writing has won nonfiction awards including the 2014 Felice Buckvar Prize and has been translated into Chinese, Hungarian, and Japanese.

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Product details

Paperback: 224 pages

Publisher: Dzanc Books (November 13, 2018)

Language: English

ISBN-10: 1945814624

ISBN-13: 978-1945814624

Product Dimensions:

5.4 x 0.7 x 8.4 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#15,571 in Books (See Top 100 in Books)

After living in Lesotho and working in Mokhotlong with TTL, this brought back amazing memories. As soon as he described the secret alarm in the cars, I laughed. Borrowing another person's car meant knowing where the secret button was, and sometimes you couldn't find it which meant exactly what happened to him. Thank you for writing this book and reminding us about the small things in Maseru and beyond! Great read!

Will McGrath turns out phrases like no one else: wry, sweet, with pace and a light touch. Plus, the content is also sublime: you can see and hear and feel what it's like in Lesotho. You'll fall in love with all the people he met, the children he taught. It's non-fiction, but romantic. I can't wait to see what he writes about next.

The author takes you on a journey through his Lesotho, personalizing every character and leaving a firmly etched imprint of the people and places he met along the way. It is a sincere love letter to a faraway place. The vignette style makes it approachable for a reader with only short bursts of time to read. It will make you cry (or at least glaze your eyes over a little), and it will make you laugh.

This book is full of captivating stories. I have given 4 books for others to read

This is a delightful read on many levels. First, it has a documentary-like , travelogue feel that transports the reader to a little-known place of warm, hand-holding people suffering under incredible percentages of the AIDS virus.Secondly, it is a humorous, relatable tale of 20 months spent in a completely different culture.And last but not least, it is a great read due to the author's ability to make vignettes out of his experiences, small pictures of exquisitely detailed events that make a series of very enjoyable stories.

This book is so beautiful. Transporting, poetic, hilarious, and sad. The author feels like a best friend you’ve never met, and the people of Lesotho, the tiny country you never really considered, feel like an intimate part of your human family through his loving and unflinching words. This is the kind of book that makes the world grow smaller and the human heart grow bigger. I’m nearing the end, and I wish it would last longer. I keep finishing chapters and wiping tears from my eyes. I can’t wait to share it with friends!

Equal parts educational and inspiring. Will McGrath's account of his first year in the African kingdom of Lesotho captures the beauty of human curiosity and compassion. I laughed, I cried, I read my eyes out. There isn't a single wasted sentence in the entire book and the verbs are stunning. I loved every page and would highly recommend to anyone interested in reading engaging essays.

This book is transporting in the truest sense of the word: it takes you elsewhere.

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Print Length: 400 pages

Publisher: Viking (November 5, 2019)

Publication Date: November 5, 2019

Sold by: Penguin Group (USA) LLC

Language: English

ASIN: B07NTYFMVV

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Vaughan Grylls is a photographer, author, and artist. His photography has been shown in the Photographers’ Gallery, Whitechapel Art Gallery, and the Arnolfini. He is represented in several public collections, including the National Museum of Photography, Film and Television, the Contemporary Art Society, Pfizer, Unilever, and the Arts Council of Wales. From 1996 to 2005 Grylls was Chief Executive of the Kent Institute of Art and Design. In 2005 he founded the University for the Creative Arts at Canterbury, Epsom, Farnham, and Rochester, and serves as Emeritus Professor. He is the author and photographer of Oxford Then and Now, Cambridge Then and Now, Hong Kong Then and Now, and Singapore Then and Now.

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Series: Then and Now®

Hardcover: 144 pages

Publisher: Pavilion (December 1, 2016)

Language: English

ISBN-10: 1910904090

ISBN-13: 978-1910904091

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11 x 0.6 x 9.5 inches

Shipping Weight: 2.1 pounds (View shipping rates and policies)

Average Customer Review:

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Download Ghosts and Other Plays, by Henrik Ibsen

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Ghosts and Other Plays, by Henrik Ibsen

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Henrik Ibsen was born at Skien in Norway in 1828. He was one of the earliest writers to dramatise the individual's alienation from society. Although never fully appreciated during his lifetime, he has since come to be recognised as one of the greatest dramatists and the 'Father of Modern Drama'.

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Product details

Series: Penguin Classics

Paperback: 304 pages

Publisher: Penguin Classics; New Impression edition (June 30, 1964)

Language: English

ISBN-10: 0140441352

ISBN-13: 978-0140441352

Product Dimensions:

5.1 x 0.7 x 7.8 inches

Shipping Weight: 7.8 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,310,275 in Books (See Top 100 in Books)

The best English translation I've read of "Public Enemy" aka "Enemy of the People". The other translations that I've read are by Le Galliene and by Meyer. I have not yet read the other two plays included.

This volume brings together three of Henrik Ibsen's most important plays: _Ghosts_, _A Public Enemy_ (also known as _An Enemy of the People_), and _When We Dead Wake_. Ibsen is one of those authors who almost require the reader to place himself or herself in the age during which the works were produced. An unsuspecting reader may dismiss these plays as uninteresting, but one must keep in mind that Ibsen's work represented in its time the most significant transformation of the theater since Shakespeare. We're talking about the move from poetry to prose (though Ibsen did produce several plays in verse at the beginning of his career), about the presentation of characters who have "ordinary" problems such as troubled marriages and debt, about the introduction of ideological/social discussion between the characters. While _A Doll's House_ (1879) is undoubtedly Ibsen's most famous play, the three works collected in this volume allow the reader to appreciate three different facets of Ibsen.Ibsen's career could be divided into three stages. He began writing plays in verse, of which modern readers generally read two: _Brand_ (1866) and _Peer Gynt_ (1867). The second stage begins with _The League of Youth_ (1869), which represents Ibsen's departure from dramatic verse and the beginning of his career as a realist/naturalist. His most famous plays (_A Doll's House_, _Ghosts_, _An Enemy of the People_, _The Wild Duck_) belong to this period. Finally, towards the end of his career Ibsen produced what he himself called "portrait plays;" instead of presenting the individual in conflict with society, these works tend to focus on a character's inner struggle. _The Master Builder_, _Little Eyolf_, and _John Gabriel Borkmann_ are examples of this last Ibsenian phase. The titles may not ring a bell, for the simple reason that very few people read these works. _When We Dead Wake_ is something else: as its subtitle indicates, it constitutes a "dramatic epilogue." It amounts to a summing up of Ibsen's career, and critics speculate that the author may not have meant for it to be performed on stage.Here's my take on the three plays collected in this volume:* _Ghosts_ (1881): A revolutionary and scandalous play when it came out, it may now seem a bit melodramatic, contrived, and even a bit clumsy. Here are some of the themes treated: incest, illegitimate children, venereal disease, euthanasia, free love, and marriage as hell on earth. We're not exactly walking on sunshine here. Mrs. Alving, who for years endured the torture of a loveless marriage, stands for modernity; Pastor Manders represents tradition. The action is concerned with the return of Mrs. Alving's son Osvald, who is suffering from a devastating illness. Also important are the maid Regina Engstrand and her father, a carpenter who dreams of setting up a lodging-house for seamen. The main theme of the play is summarized by the biblical dictum: "The sins of the fathers are visited on the children." (Naturalism tended to reduce human beings to products of the environment in which they lived.) One thing I liked about this play: the open, ambiguous ending. Incidentally, the title "Ghosts," as the translator Peter Watts points out, is not exactly accurate; "Revenants" is closer to the Norwegian "Gengangere," which means "those who walk again," "those who have come back."* _A Public Enemy_ (1882): A direct response to the outrage that _Ghosts_ provoked among audiences. While _Ghosts_ is an example of drama, _A Public Enemy_ has been called a comedy. I would call it a tragicomedy. It is also an allegory. The action concerns Dr. Thomas Stockmann who realizes that the water of the baths the town depends on for revenue is polluted. It is his moral responsibility to make this inconvenient truth public, but this would naturally cause great harm to the town's economy. To make matters more complicated, Dr. Stockmann is the mayor's brother; this is not only a social issue, but a family matter as well. The allegorical nature of the play is not difficult to perceive: Ibsen is the man exposing (with _Ghosts_) society's filth. He is doing it for the good of society, so that things will change for the better, but society doesn't see it that way. (Naturalism was often quite didactic.) _A Public Enemy_ is much more complex than _Ghosts_. It is a political as well as a social play. One of its messages is that people live in a system that is a web, and that everyone (the individual, the government, the media) is held together by interests. Few people dare go against the establishment. Like Plato, Ibsen speaks against the idea that the majority is always right. The play includes some harsh lines against the liberal majority (Arthur Miller altered some of this in his version of the same play), and describes the political party as a "sausage-machine" (I couldn't help thinking of Pink Floyd here.) _A Public Enemy_ contains some problematic ideas and quite a bit of self-pity, but then one has to understand what Ibsen was going through at the time. A famous Ibsen line comes from this play: "The strongest man in the world is the man who stands most alone."* _When We Dead Wake_ (1899): This "dramatic epilogue" is Ibsen's attempt at symbolism. Professor Arnold Rubek, a sculptor, is bored with his wife Maia. While both spend time at a mountain health resort, he comes across a woman from his past, Irena, who used to model for him. Thanks to her, Rubek produced his masterpiece, a sculpture titled "Resurrection Day." The sculpture, however, has changed with time: now Irena's figure does not occupy the central space, but has receded into the background. Rubek is fascinated by Irena and tries to get back with her, with his wife's permission (the three of them plan on living together, it seems), while Maia herself goes off on adventures with a bear hunter named Ulheim. Maia represents prose drama; Irena, verse drama, which Ibsen abandoned (or it deserted him). The play is thus an allegory of Ibsen's sense of guilt at not pursuing poetry, the initial phase of his work._A Public Enemy_ was my favorite of the three plays. I haven't given the book five stars because, as I said, (1) _Ghosts_ seems a little contrived to me and quite melodramatic, and (2) there's a considerable amount of self-victimization going on in _A Public Enemy_.I have read that several authors (George Bernard Shaw among them) and critics consider _The Wild Duck_ (1884) to be Ibsen's masterpiece. The less-known _Rosmersholm_ (1886) is also highly regarded. I will read these plays, hopefully soon, and offer my opinion in the appropriate place.Despite their imperfections, these plays represent Ibsen at his best. Ibsen is credited, along with August Strindberg, with the creation of modern drama; the former gave rise to the realist/naturalist tradition, while the latter was instrumental in the development of symbolism. (Eugene O'Neill is a good example of a playwright who learned much from both.) These dramatic movements ruled the stage at least until Luigi Pirandello and Samuel Beckett showed up. Interestingly enough, Ibsen did not receive the Nobel Prize for Literature. The honor went, instead, to his compatriot Bjornstjerne Bjornson. The entrance to the National Theatre in Oslo is guarded by two monuments: that of Bjornson to the right, and that of Ibsen to the left. Time has been much more generous to Ibsen. This does not necessarily mean anything in itself (the work of many mediocre authors survives, while many works of genius are forgotten), I'm just stating a fact.Thanks for reading, and enjoy the book!

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Series: Pop Instrumental Solos Series

Paperback: 32 pages

Publisher: Alfred Music; Pap/Com edition (January 1, 2009)

Language: English

ISBN-10: 0739058231

ISBN-13: 978-0739058237

Product Dimensions:

8.8 x 0.2 x 11.5 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

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I bought the cello-piano-duet version of this book. Another reviewer stated that the piano is the main instrument in the duet, so I thought this would be perfect. I would play the piano, and my son could join me with his cello when he wants to. HOWEVER, I disagree that the piano is the main instrument in these arrangements. Yes, the piano accompaniment is much more complex than the cello. Of course it is. It has to be. But the piano arrangements are not complete, stand-alone pieces. They don't work without the cello part. Which is fine, and makes sense. Just giving a heads-up so other buyers will know what they are getting!

I bought this after reading the 8 reviews here. I agree with most of them, including the detachable violin book. My 8-year-old is doing violin, but hasn't quite gotten the incentive to play to this book yet. My 4-year-old, who isn't taking any music lessons, loves to listen to the CD.But what I didn't expect was the lifeless accompaniments. The lead violin part is played satisfactorily by a real violinist with expression and tasteful vibrato. However, the background symphonic music has irritatingly fake horns, woodwinds and other instruments that are obviously done on a synth or computer. They are so hollow and robotic that I wonder if they were MIDI tracks played back on a computer and not even played by a real person on a real synth. They must not have had the budget to hire a real orchestra to record those tracks in a real studio.Update: I forgot to mention that like another reviewer, my CD also has the clicking noises on tracks 25, and 28 through to the last track. It's extremely annoying, as one of the affected tracks is the Cantina piece that my daughter enjoys. This tells me that their CD master has the defect, and they haven't fixed it. I downgraded my rating from 4 stars to 2 stars because of this.

Bought this for my wife. She loved it. Great learning tool. The arrangements are made so that the instrument (cello in this case) plays the main melody. It's obviously not perfect since the orchestra uses multiple instruments, but it's pretty close. The included CD is cool, clearly synthesized instruments, but not bad. It did clip a little in my speakers, so the sound quality wasn't what I would have wanted. Again, this is great for learning a new instrument or just having fun.

My son plays the saxaphone and was wanting something different to play besides what he does in school. Being a huge Star Wars fan, he really wanted this music. I was worried that it might be too difficult, but he has loved the challenge. The CD is very helpful for him. I have heard him in his room practicing a song, stopping to listen to the CD, and then saying, "Oh, that's how it goes!" We know what the song sounds like, but not necessarily how the saxaphone will sound. He is learning to play one of the songs now as a solo piece for honor band try outs.

This review is for Star Wars A Musical Journey Episodes I-IV Instrumental Solos, with CD. I purchased the cello version of this sheet music. This book includes standard piano accompaniment, plus the solo cello music also comes inside the book as a removable insert. The printing quality is excellent.The CD is well thought-out and organized. The CD musical accompaniment quality is good -- not the terrible midi tones you get with some sheet music. Each song has the recorded "demo" version of the song, then another track with the "play along" version, which is like the "demo" version without the cello.I deducted one star because the CD failed at track 29. I tried it on three different computers, and could only access the first 28 tracks. I emailed the publisher (Alfred)recently and am waiting to hear back. Even withouth the last few tracks, I was able to access the music for the most popular songs. These included "Star Wars main theme," The Imperial March, and Across the Stars.++++ Update 6/17/2011 ++++ I recieved an email and a replacement book from Alfred. The CD in the replacement book was flawless. Very good customer service.I would highly recommend this book.

This is freaking awesome. These songs are really amazing, and they aren't too too hard to play. Some are really challenging though, which I like, personally. It gives you something to keep working towards. I think the recordings sound great myself. The "Across the Stars" especially is really soulful. I think I get what some people were saying about a midi sound with the higher trumpet tones, but it still sounds great to me, and anyway it's really fun to play with! That's all that really matters to me since I'm not going to play the backup tracks for a public performance, though not saying you couldn't. I love it!

Purchased for my horn playing daughter. She loves it and it encourages her to practice more often because she loves playing the songs. For a person who has played just 3 years, some of the songs are a little bit tough, but there are plenty of other songs that are easy to play.

The perfect marriage of the immeasurable pleasure derived from classic instrumental pieces coupled with a timeless film which spans across generations past and present. Unfortunately, my son was rapidly losing interest in playing violin; however, provided this purchase, he has recaptured his desire to play with a passion. In addition, the enclosed CD serves as an invaluable supplement.

Star Wars Instrumental Solos (Movies I-VI): Trumpet, Book & CD (Pop Instrumental Solos Series) PDF
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Star Wars Instrumental Solos (Movies I-VI): Trumpet, Book & CD (Pop Instrumental Solos Series) PDF

Star Wars Instrumental Solos (Movies I-VI): Trumpet, Book & CD (Pop Instrumental Solos Series) PDF

Star Wars Instrumental Solos (Movies I-VI): Trumpet, Book & CD (Pop Instrumental Solos Series) PDF

Star Wars Instrumental Solos (Movies I-VI): Trumpet, Book & CD (Pop Instrumental Solos Series) PDF